Here are some of the projects: a Compost Distiller by Lisa Johansson, a hair fidgeting substitute from a series of therapeutic elements by Billur Turan and furniture constructions by David Amar .
Here are some of the projects: a Compost Distiller by Lisa Johansson, a hair fidgeting substitute from a series of therapeutic elements by Billur Turan and furniture constructions by David Amar .
On the opening night of Clerkenwell Design Week Knoll hosted The Fakes Debate asking key members within the design industry to argue the pros and cons of producing copycat products – are they democratizing design or are they ruining the industry’s integrity? An impressive line up included Designer, Ross Lovegrove, RCA senior Tutor and Independent Curator, Daniel Charny, V&A Design Curator, Abraham Thomas and CEO of MyDeco, Nicole Vanderbilt presented argued their case for or against the motion ‘This House Believes Fakes are a Crime against Design.’
The event was chaired by Director of Architecture, Design and Fashion at the British Council, Vicky Richardson and was left as a controversial issue!



COMING SOON:
MADE IN ITALY: MILAN DESIGN CITY
Tuesday 18 May, The Lighthouse, Glasgow – 7.15pm
Its where to go to show, see and be seen. Curator and lecturer Daniel Charny, designer Fabio Novembre, and curator and editor Joseph Grima, will explore how this city and the annual Salone de Mobile provoke and promote new Italian design.
JUST HAPPENED:
MADE IN ITALY: ITALIAN INDUSTRIAL DESIGN
Dr. Penny Sparke, Mario Bellini and Daniel Charny discus the nuances of the Italian design scene; with a number of detailed and personal case studies, this event will give an insightful look into the inner workings of Italian design. Monday 19th May, Design Museum, London.



Daniel Charny was invited to give a talk about curating contemporary design at Barcelona’s Industrial Design Association based in the beautiful FAD complex by the MACBA. Chaired by Dr. Viviana Narotzky of ADI FAD, Charny reviewed his experience from recent years and presented current thoughts of working in the field of curating contemporary design using examples from projects involving Spanish designers in shows such as the group show Conversational Spanish, Stage by Jaime Hayon, Tenerife Design Festival and most recently the solo show of Javier Mariscal – Drawing Life for the Design Museum London. PODCAST OF TALK




The first ever Tenerife Design Festival just happened in Santa Cruz, Daniel Charny took part as one of the judges of the design competition which was awarded to a kind of service design approach, a ‘users manual’ for discovering Tenerife as a paradise on earth. The Founders Yapci Ramos and Samual Cabrera, who consulted Charny along the process organised a uniquely curated festival fitting for their island rather then falling into the generic model of design festivals that have been cropping up in so many cities. The highlight was a collaborative project between local artisans and six invited designers called TDFSigno





Following its success in Milan earlier this year, during LDF Daniel Charny’s consultancy FNO teamed up with the British Council to run The Incidental . This user-generated website and news pamphlet is created by and for the design community, and offers opinion, reviews, news and recommedations by tapping into what everyone is talking about.
“Charny’s research is still informing the project five years later” writes Blueprint’s Tim Abraham in a review of the nearly completed Design Museum Holon project by architects Ron Arad Associates.
Daniel Charny & Gabriel Klasmer developed a physical and slideshow version of a 2003 photographic project inspired by football sports photogrphy. The pieces are installed at NOWHERE/NOW/HERE an exhibition into alternative investigations in design curated by Rosario Hurtado and Roberto Feo for LABoral in Gijon Asturias.
Furniture is often thought of as given types that relate to a task or support an occasion. Sports Furniture is about choreographing the body into dramatic physical situations, such as those of footballers at the height of exerted effort. Their shape frozen by photography becomes a heroic depiction of human form. Good sports photography captures these moments that are so full of energy and human expression. The body in relation to the ball becomes a study of intent. These supports are the exact opposite of the transient sport moment; they offer the user an imaginative scenario in which they can place themselves in that heroic moment.
The Royal College of Physicians building by Denys Lasdun has a new reception desk, designed by Daniel Charny and Martino Gamper. The Corian slab design houses all the digital security, communication and electrical equipment that has accumulated since the original 1964 marble desk first sported a single receptionist with one telephone line.
Research into solid freeform fabrication NEW PROTOTYPES of the Morning Glory tower lamp, and two products from the “A head of its time” project. The first to be produced was the double portrait sandclock, the sand pours from the top head to the lower and back when turned up side down. The second project is a salt and pepper portrait shakers. The embedded portraits are of the two designers involved in this project. The three pieces are part of the joint design collaboration with Professor Gad Charny of HIT, for ‘Dream Makers’ – an exhibition on the future of rapid prototyping, curated by Alex Ward, produced by Objet Geometries and shown at the Israel Museum Architecture and Design department, opened 5th January 2007.
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